2008 October







Emma Lazarus - Assurance

Last night I slept, and when I woke her kiss
Still floated on my lips. For we had strayed
Together in my dream, through some dim glade,
Where the shy moonbeams scarce dared light our bliss.
The air was dank with dew, between the trees,
The hidden glow-worms kindled and were spent.
Cheek pressed to cheek, the cool, the hot night-breeze
Mingled ouir hair, our breath, and came and went,
As sporting with our passion. Low and deep
Spake in mine ear her voice: “And didst thou dream,
This could be buried? This could be sleep?
And love be thrall to death! Nay, whatso seem,
Have faith, dear heart; this is the thing that is!”
Thereon I woke, and on my lips her kiss.

Emma Lazarus - Chopin

I

A dream of interlinking hands, of feet
Tireless to spin the unseen, fairy woof
Of the entangling waltz. Bright eyebeams meet,
Gay laughter echoes from the vaulted roof.
Warm perfumes rise; the soft unflickering glow
Of branching lights sets off the changeful charms
Of glancing gems, rich stuffs, the dazzling snow
Of necks unkerchieft, and bare, clinging arms.
Hark to the music! How beneath the strain
Of reckless revelry, vibrates and sobs
One fundamental chord of constant pain,
The pulse-beat of the poet’s heart that throbs.
So yearns, though all the dancing waves rejoice,
The troubled sea’s disconsolate, deep voice.

II

Who shall proclaim the golden fable false
Of Orpheus’ miracles? This subtle strain
Above our prose-world’s sordid loss and gain
Lightly uplifts us. With the rhythmic waltz,
The lyric prelude, the nocturnal song
Of love and languor, varied visions rise,
That melt and blend to our encha nted eyes.
The Polish poet who sleeps silenced long,
The seraph-souled musician, breathes again
Eternal eloquence, immortal pain.
Revived the exalted face we know so well,
The illuminated eyes, the fragile frame,
Slowly consuming with its inward flame,
We stir not, speak not, lest we break the spell.

III

A voice was needed, sweet and true and fine
As the sad spirit of the evening breeze,
Throbbing with human passion, yet devine
As the wild bird’s untutored melodies.
A voice for him ‘neath twilight heavens dim,
Who mourneth for his dead, while round him fall
The wan and noiseless leaves. A voice for him
Who sees the first green sprout, who hears the call
Of the first robin on the first spring day.
A voice for all whom Fate hath set apart,
Who, still misprized, must perish by the way,
Longing with love, for that they lack the art
Of their own soul’s expression. For all these
Sing the unspoken hope, the vague, sad reveries.

IV

Then Nature shaped a poet’s heart–a lyre
From out whose chords the lightest breeze that blows
Drew trembling music, wakening sweet desire.
How shall she cherish him? Behold! she throws
This precious, fragile treasure in the whirl
Of seething passions; he is scourged and stung,
Must dive in storm-vext seas, if but one pearl
Of art or beauty therefrom may be wrung.
No pure-browed pensive nymph his Muse shall be,
An amazon of thought with sovereign eyes,
Whose kiss was poison, man-brained, worldy-wise,
Inspired that elfin, delicate harmony.
Rich gain for us! But with him is it well?
The poet who must sound earth, heaven, and hell!

Emma Lazarus - City Visions

I

As the blind Milton’s memory of light,
The deaf Beethoven’s phantasy of tone,
Wroght joys for them surpassing all things known
In our restricted sphere of sound and sight,–
So while the glaring streets of brick and stone
Vix with heat, noise, and dust from morn till night,
I will give rein to Fancy, taking flight
From dismal now and here, and dwell alone
With new-enfranchised senses. All day long,
Think ye ‘t is I, who sit ‘twixt darkened walls,
While ye chase beauty over land and sea?
Uplift on wings of some rare poet’s song
Where the wide billow laughs and leaps and falls,
I soar cloud-high, free as the winds are free.

II

Who grasps the substance? who ‘mid shadows strays?
He who within some dark-bright wood reclines,
‘Twixt sleep and waking, where the needled pines
Have cushioned al his couch with soft brown sprays?
He notes not how the living water shines,
Trembling along the cliff, a flickering haze ,
Brimming a wine-bright pool, nor lifts his gaze
To read the ancient wonders and the signs.
Does he possess the actual, or do I,
Who paint on air more than his sense receives,
The glittering pine-tufts with closed eyes behold,
Breathe the strong resinous perfume, see the sky
Quiver like azure flame between the leaves,
And open unseen gates with key of gold?

Emma Lazarus - Critic And Poet: An Epilogue

No man had ever heard a nightingale,
When once a keen-eyed naturalist was stirred
To study and define–what is a bird,
To classify by rote and book, nor fail
To mark its structure and to note the scale
Whereon its song might possibly be heard.
Thus far, no farther;–so he spake the word.
When of a sudden,–hark, the nightingale!

Oh deeper, higher than he could divine
That all-unearthly, untaught strain! He saw
The plain, brown warbler, unabashed. “Not mine”
(He cried) “the error of this fatal flaw.
No bird is this, it soars beyond my line,
Were it a bird, ‘twould answer to my law.”

Emma Lazarus - Destiny

1856

Paris, from throats of iron, silver, brass,
Joy-thundering cannon, blent with chiming bells,
And martial strains, the full-voiced p

Emma Lazarus - Echoes

Late-born and woman-souled I dare not hope,
The freshness of the elder lays, the might
Of manly, modern passion shall alight
Upon my Muse’s lips, nor may I cope
(Who veiled and screened by womanhood must grope)
With the world’s strong-armed warriors and recite
The dangers, wounds, and triumphs of the fight;
Twanging the full-stringed lyre through all its scope.
But if thou ever in some lake-floored cave
O’erbrowed by rocks, a wild voice wooed and heard,
Answering at once from heaven and earth and wave,
Lending elf-music to thy harshest word,
Misprize thou not these echoes that belong
To one in love with solitude and song.

Emma Lazarus - From One Augur To Another

So, Calchas, on the sacred Palatine,
You thought of Mopsus, and o’er wastes of sea
A flower brought your message. I divine
(Through my deep art) the kindly mockery
That played about your lips and in your eyes,
Plucking the frail leaf, while you dreamed of home.
Thanks for the silent greeting! I shall prize,
Beyond June’s rose, the scentless flower of Rome.
All the Campagna spreads before my sight,
The mouldering wall, the Caesars’ tombs unwreathed,
Rome and the Tiber, and the yellow light,
Wherein the honey-colored blossom breathed.
But most I thank it–egoists that we be!
For proving then and there you thought of me.

Emma Lazarus - In The Jewish Synagogue At Newport

Here, where the noises of the busy town,
The ocean’s plunge and roar can enter not,
We stand and gaze around with tearful awe,
And muse upon the consecrated spot.

No signs of life are here: the very prayers
Inscribed around are in a language dead;
The light of the “perpetual lamp” is spent
That an undying radiance was to shed.

What prayers were in this temple offered up,
Wrung from sad hearts that knew no joy on earth,
By these lone exiles of a thousand years,
From the fair sunrise land that gave them birth!

How as we gaze, in this new world of light,
Upon this relic of the days of old,
The present vanishes, and tropic bloom
And Eastern towns and temples we behold.

Again we see the patriarch with his flocks,
The purple seas, the hot blue sky o’erhead,
The slaves of Egypt, — omens, mysteries, –
Dark fleeing hosts by flaming angels led.

A wondrous light upon a sky-kissed mount,
A man who reads Jehovah’s written law,
‘Midst blinding glory and effulgence rare,
Unto a people prone with reverent awe.

The pride of luxury’s barbaric pomp,
In the rich court of royal Solomon –
Alas! we wake: one scene alone remains, –
The exiles by the streams of Babylon.

Our softened voices send us back again
But mournful echoes through the empty hall:
Our footsteps have a strange unnatural sound,
And with unwonted gentleness they fall.

The weary ones, the sad, the suffering,
All found their comfort in the holy place,
And children’s gladness and men’s gratitude
‘Took voice and mingled in the chant of praise.

The funeral and the marriage, now, alas!
We know not which is sadder to recall;
For youth and happiness have followed age,
And green grass lieth gently over all.

Nathless the sacred shrine is holy yet,
With its lone floors where reverent feet once trod.
Take off your shoes as by the burning bush,
Before the mystery of death and God.

Emma Lazarus - Life And Art

Not while the fever of the blood is strong,
The heart throbs loud, the eyes are veiled, no less
With passion than with tears, the Muse shall bless
The poet-sould to help and soothe with song.
Not then she bids his trembling lips express
The aching gladness, the voluptuous pain.
Life is his poem then; flesh, sense, and brain
One full-stringed lyre attuned to happiness.
But when the dream is done, the pulses fail,
The day’s illusion, with the day’s sun set,
He, lonely in the twilight, sees the pale
Divine Consoler, featured like Regret,
Enter and clasp his hand and kiss his brow.
Then his lips ope to sing–as mine do now.

Emma Lazarus - Long Island Sound

I see it as it looked one afternoon
In August,-by a fresh soft breeze o’erblown.
The swiftness of the tide, the light thereon,
A far-off sail, white as a crescent moon.
The shining waters with pale currents strewn,
The quiet fishing-smacks, the Eastern cove,
The semi-circle of its dark, green grove.
The luminous grasses, and the merry sun
In the grave sky; the sparkle far and wide,
Laughter of unseen children, cheerful chirp
Of crickets, and low lisp of rippling tide,
Light summer clouds fantastical as sleep
Changing unnoted while I gazed thereon.
All these fair sounds and sights I made my own.

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