2009 March







Alec Derwent Hope - The Gateway

Now the heart sings with all its thousand voices
To hear this city of cells, my body, sing.
The tree through the stiff clay at long last forces
Its thin strong roots and taps the secret spring.

And the sweet waters without intermission
Climb to the tips of its green tenement;
The breasts have borne the grace of their possession,
The lips have felt the pressure of content.

Here I come home: in this expected country
They know my name and speak it with delight.
I am the dream and you my gates of entry,
The means by which I waken into light.

Raymond A Foss - Anointed

He was baptized in the River
in the Jordan by Elijah;
but he was anointed king,
not by oil, as the prophets of old,
Samuel anointing David
He was anointed by the voice of God
the Spirit of God
washing down over him,
descending like a dove
a holy anointing
of the child in the manger
the grown Son of God
readied for the testing, the tempting
His ministry
by the anointing, the Son
with whom the Father
was well pleased

January 3, 2008
Matthew 3:13-17
Isaiah 40:3
Malachi 3:1
Malachi 4:5
Matthew 11:1-15

Sukasah Syahdan - The News

1)
eleven forty-five a.m.
someone sent me news
through the rain: “good mourning!”

2)
I hastened to you, father
though none of us could prevent
these two things from befalling

Emily Dickinson - Glee The Great Storm Is Over

Glee — The great storm is over –
Four — have recovered the Land –
Forty — gone down together –
Into the boiling Sand –

Ring — for the Scant Salvation –
Toll — for the bonnie Souls –
Neighbor — and friend — and Bridegroom –
Spinning upon the Shoals –

How they will tell the Story –
When Winter shake the Door –
Till the Children urge –
But the Forty –
Did they — come back no more?

Then a softness — suffuse the Story –
And a silence — the Teller’s eye –
And the Children — no further question –
And only the Sea — reply –

Vasko Popa - The Tenants Of The Little Box

Throw into the little box
A stone
You’ll take out a bird

Throw in your shadow
You’ll take out the shirt of happiness

Throw in your father’s root
You’ll take out the axle of the universe

The little box works for you

Throw into the little box
A mouse
You’ll take out a quaking hill

Throw in your head
You’ll take out two

The little box works for you

Pablo Neruda - Walking Around

It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.

The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.

It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.

Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.

I don’t want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating e very day.

I don’t want so much misery.
I don’t want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.

That’s why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
night.

And it pushes me into certain corners, into some moist
houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.

There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
cords.

I stroll along serenely, with my eyes, my shoes,
my rage, forgett ing everything,
I walk by, going through office buildings and orthopedic
shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.

Dorothy Parker - General Review Of The Sex Situation

Woman wants monogamy;
Man delights in novelty.
Love is woman’s moon and sun;
Man has other forms of fun.
Woman lives but in her lord;
Count to ten, and man is bored.
With this the gist and sum of it,
What earthly good can come of it?

Henry Wadsworth Longfellow - Changed

From the outskirts of the town,
Where of old the mile-stone stood,
Now a stranger, looking down
I behold the shadowy crown
Of the dark and haunted wood.

Is it changed, or am I changed?
Ah! the oaks are fresh and green,
But the friends with whom I ranged
Through their thickets are estranged
By the years that intervene.

Bright as ever flows the sea,
Bright as ever shines the sun,
But alas! they seem to me
Not the sun that used to be,
Not the tides that used to run.

Joyce Kilmer - Easter Week

(In memory of Joseph Mary Plunkett)

(”Romantic Ireland’s dead and gone,
It’s with O’Leary in the grave.”)

William Butler Yeats.

“Romantic Ireland’s dead and gone,
It’s with O’Leary in the grave.”
Then, Yeats, what gave that Easter dawn
A hue so radiantly brave?
There was a rain of blood that day,
Red rain in gay blue April weather.
It blessed the earth till it gave birth
To valour thick as blooms of heather.
Romantic Ireland never dies!
O’Leary lies in fertile ground,
And songs and spears throughout the years
Rise up where patriot graves are found.
Immortal patriots newly dead
And ye that bled in bygone years,
What banners rise before your eyes?
What is the tune that greets your ears?
The young Republic’s banners smile
For many a mile where troops convene.
O’Connell Street is loudly sweet
With strains of Wearing of the Green.
The soil of Ireland throbs and glows
With life that knows the hour is here
To strike agai n like Irishmen
For that which Irishmen hold dear.
Lord Edward leaves his resting place
And Sarsfield’s face is glad and fierce.
See Emmet leap from troubled sleep
To grasp the hand of Padraic Pearse!
There is no rope can strangle song
And not for long death takes his toll.
No prison bars can dim the stars
Nor quicklime eat the living soul.
Romantic Ireland is not old.
For years untold her youth will shine.
Her heart is fed on Heavenly bread,
The blood of martyrs is her wine.

Wendell Berry - The Country Of Marriage

I.

I dream of you walking at night along the streams
of the country of my birth, warm blooms and the nightsongs
of birds opening around you as you walk.
You are holding in your body the dark seed of my sleep.

II.

This comes after silence. Was it something I said
that bound me to you, some mere promise
or, worse, the fear of loneliness and death?
A man lost in the woods in the dark, I stood
still and said nothing. And then there rose in me,
like the earth’s empowering brew rising
in root and branch, the words of a dream of you
I did not know I had dreamed. I was a wanderer
who feels the solace of his native land
under his feet again and moving in his blood.
I went on, blind and faithful. Where I stepped
my track was there to steady me. It was no abyss
that lay before me, but only the level ground.

III.

Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orc hard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.

IV.

How many times have I come to you out of my head
with joy, if ever a man was,
for to approach you I have given up the light
and all directions. I come to you
lost, wholly trusting as a man who goes
into the forest unarmed. It is as though I descend
slowly earthward out of the air. I rest in peace
in you, when I arrive at last.

V.

Our bond is no little economy based on the exchange
of my love and work for yours, so much for so much
of an expendable fund. We don’t know what its limits are–
that puts us in the dark. We are more together
than we know, how else could we keep on discovering
we are more together than we thought?You are the known way leading always to the unknown,
and you are the known place to which the unknown is always
leading me back. More blessed in you than I know,
I possess nothing worthy to give you, nothing
not belittled by my saying that I possess it.
Even an hour of love is a moral predicament, a blessing
a man may be hard up to be worthy of. He can only
accept it, as a plant accepts from all the bounty of the light
enough to live, and then accepts the dark,
passing unencumbered back to the earth, as I
have fallen tine and again from the great strength
of my desire, helpless, into your arms.

VI.

What I am learning to give you is my death
to set you free of me, and me from myself
into the dark and the new light. Like the water
of a deep stream, love is always too much. We
did not make it. Though we drink till we burst
we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore< br>to drink our fill, and sleep, while it
flows through the regions of the dark.
It does not hold us, except we keep returning
to its rich waters thirsty. We enter,
willing to die, into the commonwealth of its joy.

VII.

I give you what is unbounded, passing from dark to dark,
containing darkness: a night of rain, an early morning.
I give you the life I have let live for the love of you:
a clump of orange-blooming weeds beside the road,
the young orchard waiting in the snow, our own life
that we have planted in the ground, as I
have planted mine in you. I give you my love for all
beautiful and honest women that you gather to yourself
again and again, and satisfy–and this poem,
no more mine than any man’s who has loved a woman.

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