2009 April







John Berryman - Dream Song 101: A Shallow Lake, With Many Waterbirds

A shallow lake, with many waterbirds,
especially egrets: I was showing Mother around,
An extraordinary vivid dream
of Betty & Douglass, and Don—his mother’s estate
was on the grounds of a lunatic asylum.
He showed me around.

A policeman trundled a siren up the walk.
It was 6:05 p.m., Don was late home.
I askt if he ever saw
the inmates—’No, they never leave their cells.’
Betty was downstairs, Don called down ‘A drink’
while showering.

I can’t go into the meaning of the dream
except to say a sense of total Loss
afflicted me therof:
an absolute disappearance of continuity & love
and children away at school, the weight of the cross,
and everything is what it seems.

John Burnside - Snake

As cats bring their smiling
mouse-kills and hypnotised birds,
slinking home under the light
of a summer’s morning
to offer the gift of a corpse,

you carry home the snake you thought
was sunning itself on a rock
at the river’s edge:
sun-fretted, gracile,
it shimmies and sways in your hands
like a muscle of light,
and you gather it up like a braid
for my admiration.

I can’t shake the old wife’s tale
that snakes never die,
they hang in a seamless dream
of frogskin and water,
preserving a ribbon of heat
in a bone or a vein,
a cold-blooded creature’s
promise of resurrection,

and I’m amazed to see you shuffle off
the woman I’ve know for years,
tracing the lithe, hard body, the hinge of the jaw,
the tension where sex might be, that I always assume
is neuter, when I walk our muffled house
at nightfall, throwing switches, locking doors.

Jack Gilbert - Portrait Number Five: Against A New York Summer

I’d walk her home after work
buying roses and talking of Bechsteins.
She was full of soul.
Her small room was gorged with heat
and there were no windows.
She’d take off everything
but her pants
and take the pins from her hair
throwing them on the floor
with a great noise.
Like Crete.
We wouldn’t make love.
She’d get on the bed
with those nipples
and we’d lie
sweating
and talking of my best friend.
They were in love.
When I got quiet
she’d put on usually Debussy
and
leaning down to the small ribs
bite me.
Hard.

Henry Wadsworth Longfellow - Sir Humphrey Gilbert

Southward with fleet of ice
Sailed the corsair Death;
Wild and gast blew the blast,
And the east-wind was his breath.
His lordly ships of ice
Glisten in the sun;
On each side, like pennons wide,
Flashing crystal streamlets run.
His sails of white sea-mist
Dripped with silver rain;
But where he passed there were cast
Leaden shadows o’er the main.

Eastward from Campobello
Sir Humphrey Gilbert sailed;
Three days or more seaward he bore,
Then, alas! the land-wind failed.

Alas! the land-wind failed,
And ice-cold grew the night;
And nevermore, on sea or shore,
Should Sir Humphrey see the light.

He sat upon the deck,
The Book was in his hand;
“Do not fear! Heaven is as near,”
He said, “by water as by land!”

In the first watch of the night,
Without a signal’s sound,
Out of the sea, mysteriously,
The fleet of Death rose all around.

The moon and the evening star
Were hanging in the shrouds;
Every mast, a s it passed,
Seemed to rake the passing clouds.

They grappled with their prize,
At midnight black and cold!
As of a rock was the shock;
Heavily the ground-swell rolled.

Southward through day and dark,
They drift in cold embrace,
With mist and rain, o’er the open main;
Yet there seems no change of place.

Southward, forever southward,
They drift through dark and day;
And like a dream, in the Gulf-Stream
Sinking, vanish all away.

Emily Dickinson - A Burdock Clawed My Gown

A Burdock — clawed my Gown –
Not Burdock’s — blame –
But mine –
Who went too near
The Burdock’s Den –

A Bog — affronts my shoe –
What else have Bogs — to do –
The only Trade they know –
The splashing Men!
Ah, pity — then!

‘Tis Minnows can despise!
The Elephant’s — calm eyes
Look further on!

Raymond A Foss - September Corn

Slimmer pickings at the farm stand
smaller, more immature
lighter kernels on the cob
late corn, from the gleanings
before the stalks are harvested
for decorations of the houses
productive still; but not much longer
snap of fall in the air
on the breeze,
haggling over the price
in reverse.
A half dozen ears, please.
“no, have two more,
I’ve been having trouble
selling the smaller ones.”
Cider and chrysanthemums
soon to join the selections,
with gourds and pumpkins
later sales before the closing
for the season

September 16, 2007 15:34

Carl Sandburg - Jaws

SEVEN nations stood with their hands on the jaws of death.
It was the first week in August, Nineteen Hundred Fourteen.
I was listening, you were listening, the whole world was
listening,
And all of us heard a Voice murmuring:
“I am the way and the light,
He that believeth on me
Shall not perish
But shall have everlasting life.”
Seven nations listening heard the Voice and answered:
“O Hell!”
The jaws of death began clicking and they go on clicking.
“O Hell !”

Robert Browning - Any Wife To Any Husband

I

My love, this is the bitterest, that thou
Who art all truth and who dost love me now
As thine eyes say, as thy voice breaks to say—
Shouldst love so truly and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay!

II

I have but to be by thee, and thy hand
Would never let mine go, thy heart withstand
The beating of my heart to reach its place.
When should I look for thee and feel thee gone?
When cry for the old comfort and find none?
Never, I know! Thy soul is in thy face.

III

Oh, I should fade—’tis willed so! might I save,
Galdly I would, whatever beauty gave
Joy to thy sense, for that was precious too.
It is not to be granted. But the soul
Whence the love comes, all ravage leaves that whole;
Vainly the flesh fades—soul makes all things new.

IV

And ‘twould not be because my eye grew dim
Thou couldst not find the love there, thanks to Him
Who never is dishonoured in the spark
He gave us from his fire of fires, and bade
Remember whence it sprang nor be afraid
While that burns on, though all the rest grow dark.

V

So, how thou wouldst be perfect, white and clean
Outside as inside, soul and soul’s demesne
Alike, this body given to show it by!
Oh, three-parts through the worst of life’s abyss,
What plaudits from the next world after this,
Couldst thou repeat a stroke and gain the sky!

VI

And is it not the bitterer to think
That, disengage our hands and thou wilt sink
Although thy love was love in very deed?
I know that nature! Pass a festive day
Thou dost not throw its relic-flower away
Nor bid its music’s loitering echo speed.

VII

Thou let’st the stranger’s glove lie where it fell;
If old things remain old things all is well,
For thou art grateful as becomes man best:
And hadst thou only heard me play one tune,
Or viewed me from a window, not so s oon
With thee would such things fade as with the rest.

VIII

I seem to see! we meet and part: ’tis brief:
The book I opened keeps a folded leaf,
The very chair I sat on, breaks the rank;
That is a portrait of me on the wall—
Three lines, my face comes at so slight a call;
And for all this, one little hour’s to thank.

IX

But now, because the hour through years was fixed,
Because our inmost beings met amd mixed,
Because thou once hast loved me—wilt thou dare
Say to thy soul and Who may list beside,
“Therefore she is immortally my bride,
Chance cannot change that love, nor time impair.

X

“So, what if in the dusk of life that’s left,
I, a tired traveller, of my sun bereft,
Look from my path when, mimicking the same,
The fire-fly glimpses past me, come and gone?
- Where was it till the sunset? where anon
It will be at the sunrise! what’s to blame?”

XI

Is it so helpful to thee? canst thou take
The mimic u p, nor, for the true thing’s sake,
Put gently by such efforts at at beam?
Is the remainder of the way so long
Thou need’st the little solace, thou the strong?
Watch out thy watch, let weak ones doze and dream!

XII

“—Ah, but the fresher faces! Is it true,”
Thou’lt ask, “some eyes are beautiful and new?
Some hair,—how can one choose but grasp such wealth?
And if a man would press his lips to lips
Fresh as the wilding hedge-rose-cup there slips
The dew-drop out of, must it be by stealth?

XIII

“It cannot change the love kept still for Her,
Much more than, such a picture to prefer
Passing a day with, to a room’s bare side.
The painted form takes nothing she possessed,
Yet while the Titian’s Venus lies at rest
A man looks. Once more, what is there to chide?”

XIV

So must I see, from where I sit and watch,
My own self sell myself, my hand attach
Its warrant to the very thefts from me—
Thy singleness of soul that made me proud,
Thy purity of heart I loved aloud,
Thy man’s truth I was bold to bid God see!

XV

Love so, then, if thou wilt! Give all thou canst
Away to the new faces—disentranced—
(Say it and think it) obdurate no more,
Re-issue looks and words from the old mint—
Pass them afresh, no matter whose the print
Image and superscription once they bore!

XVI

Re-coin thyself and give it them to spend,—
It all comes to the same thing at the end,
Since mine thou wast, mine art, and mine shalt be,
Faithful or faithless, sealing up the sum
Or lavish of my treasure, thou must come
Back to the heart’s place here I keep for thee!

XVII

Only, why should it be with stain at all?
Why must I, ‘twixt the leaves of coronal,
Put any kiss of pardon on thy brow?
Why need the other women know so much
And talk together, “Such the look and such
The smile he used to love with, then as now!”

XVIII

Might I die last and shew the e! Should I find
Such hardship in the few years left behind,
If free to take and light my lamp, and go
Into thy tomb, and shut the door and sit
Seeing thy face on those four sides of it
The better that they are so blank, I know!

XIX

Why, time was what I wanted, to turn o’er
Within my mind each look, get more and more
By heart each word, too much to learn at first,
And join thee all the fitter for the pause
‘Neath the low door-way’s lintel. That were cause
For lingering, though thou called’st, If I durst!

XX

And yet thou art the nobler of us two.
What dare I dream of, that thou canst not do,
Outstripping my ten small steps with one stride?
I’ll say then, here’s a trial and a task—
Is it to bear?—if easy, I’ll not ask—
Though love fail, I can trust on in thy pride.

XXI

Pride?—when those eyes forestall the life behind
The death I have to go through!—when I find,
Now that I want thy help most, all of thee!
What did I fear? Thy love shall hold me fast
Until the little minute’s sleep is past
And I wake saved.—And yet, it will not be!

Luis Benitez - THE HUDSON

O! Und dann wieder dies Bei-sich-selbst-Sein!
Diese Stummheiten! Dies Getriebenwerden!
……………………………………………………………………….
O! And then to be with -our -very -selves!
This muteness! This going adrift!
Gottfried Benn
When we take her too seriously,
poetry begins to make fun of us:

Where is the paper, in what other sky
this insect flies because I write it.
What cadences the ripeness of its absence
turns into what before I knew was
a further disturbance, perhaps joyful,
with an apparent lack of volume
and weight, almost unsubstantial but
already fairly certain, this one
fluttering between the room and that sky,
doubtlessly as entire as we are
standing aside
Otherwise, tell me certainty
where the defying breath comes from or goes
that you indicate as another’s and is its own
though faraway in the itinerary.
Likewise there are
those I don’t see,
where the insect goes and where it flies…

What do you want, insect, tell me, behind those borders?
Nobody entreats anything that hasn’t been evoked

And reading is seeking
what is most feared,
the other act so indivisible
the horse or the man in the centaur,
it isn’t just going through a border
but the very wakefulness another sudden shape,
the hands turning every page
open the weeds of an ambiguous jungle.
The evening darkens, it’s night in the marsh,
you see how obedient the declining light
has rested to sing on the nearby border,
wings against body, innocent of all.
Nothing can happen if this stone hits the mark.

I
What other river is this one bearing a name
but the same river that kills you, Heraclitus, in its waters?
The salty and sweet waters are the identical
course carrying th em:
one border is the Hudson, another one is the Ganges
and there is another border, besides, for other names.
Wide and narrow, long and short river of the world
which we take by its meanders:
even the one dripping in its deep cellars.
Everything is the border: neither wheel nor fire nor language
have ever departed to lands other than this blue
Mesopotamia.
Always behind, always ahead,
you never knew, Admiral,
how internal
the waters were that you crossed.
So is night and day in every middle of the river.

II
How na

Gerard Manley Hopkins - Spring

Nothing is so beautiful as spring—
When weeds, in wheels, shoot long and lovely and lush;
Thrush’s eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush
The descending blue; that blue is all in a rush
With richness; the racing lambs too have fair their fling.
What is all this juice and all this joy?
A strain of the earth’s sweet being in the beginning
In Eden garden.—Have, get, before it cloy,
Before it cloud, Christ, lord, and sour with sinning,
Innocent mind and Mayday in girl and boy,
Most, O maid’s child, thy choice and worthy the winning.

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