So I looked up, and wound the window down.

They were young, two pretty-pretty fellows,
wearing fur coats, looking slightly careless.
“You’re free, Miss, aren’t you ? Care for delight?
Five hundred now. One thousand for the night”.

I flared up. They took me for a prostitute.
My heart was jumping. What an attitude!
They want you, you’re young, you’re a whore!
Indignant, I said “Yes”, instead of “No”.

The other one, so “sweet and pure”,
swaying his hips, looking aside,
said: “Have you got a friend, as rich as you are?
I, too, will take it. A thousand for the night”.

The brutes! I thought I’d better vanish!
I stepped upon the gas and left the site.
My heart, however, jumped for joy and anguish!
“Five hundred now. One thousand for the night”.

© Copyright Alec Vagapov’s translation

“Hello, Russian poets, — his voice sounds wistful —
shall I give you a razor or, maybe, a pistol?
Are you a genius? Disdain all this chaos…
Or, p’rhaps, you will say your confessional prayers?
Or take a newspaper, clip out a bar
and roll self-reproach like you roll a cigar?”

Why is he cuddling you when I’m there?
Why is he trying my scarf on? How dare?
He’s squinting at my cigarettes… Oh yes!

Keep off me! Keep off!
SOS! SOS!

© Copyright Alec Vagapov’s translation

There once lived an artist, red-haired Gauguin,
he was a bohemian, a former tradesman.
To get to the Louvre
from the lanes of Montmartre
he circled around
as far as Sumatra!

He had to abandon the madness of money,
the filth of the scholars, the snarl of his honey.
The man overcame the terrestrial gravity,
The priests, drinking beer, would laugh at his “vanity”:
“A straight line is short, but it is much too simple,
He’d better depict beds of roses for people.”

And yet, like a rocket, he flew off with ease
through winds penetrating his coat and his ears.
He didn’t fetch up to the Louvre through the door
but, like a parabola,
pierced the floor!

Each gets to the truth with his own parameter
a worm finds a crack, man makes a parabola.
There once lived a girl in the neighboring house.
We studied together, through books we would browse.
Why did I leave,
moved by devilish powers
amidst the equivocal
Georgian stars!

I’m sorry for making that silly parabola,
The shivering shoulders in darkness, why trouble her?…
Your rings in the dark Universe were dramatic,
and like an antenna, straight and elastic.

Meanwhile I’m flying
to land here because
I hear your earthly and shivering calls.

It doesn’t come easy with a parabola!..
For wiping prediction, tradition, preamble off
Art, History, Love and

Up there, like a magic daemon,
he smartly rules the Universe,
Antibukashkin lies there giving
Lollobrigida a caress.

The Anti-great-academician
has got a blotting paper vision.

Long live creative Antiworlds,
great fantasy amidst daft words!
There are wise men and stupid peasants,
there are no trees without deserts.

There’re Antimen and Antilorries,
Antimachines in woods and forests.
There’s salt of earth, and there’s a fake.
A falcon dies without a snake.

I like my dear critics best.
The greatest of them beats the rest
for on his shoulders there’s no head,
he’s got an Antihead instead.

At night I sleep with windows open
and hear the rings of falling stars, From up above skyscrapers drop and,
like stalactites, look down on us.

High up above me upside down,
stuck like a fork into the ground,
my nice light-hearted butterfly,
my Antiworld, is getting by.

I wonder if it’s wrong or right
that Antiworlds should date at night.
Why should they sit there side by side
watching TV all through the night?
They do not understand a word.
It’s their last date in this world.
They sit and chat for hours, and
they will regret it in the end!
The two have burning ears and eyes,
resembling purple butterflies…

…A lecturer once said to me:
“An Antiworld? It’s loonacy!”

I’m half asleep, and I would sooner
believe than doubt the man’s word…
My green-eyed kitty, like a tuner,
receives the signals of the world.

© Copyright Alec Vagapov’s translation

There’s the golden Moon with a double shine.
It lightens your land and it lightens mine.

At the same low price, that is for free,
there’s the sunrise for you and the sunset for me.

The wind is cool at the break of day,
it’s neither your fault nor mine, anyway.

Behind your lies and behind my lies
there is pain and love for our Motherlands.

I wish in your land and mine some day
we’d put all idiots out of the way.

© Copyright Alec Vagapov’s translation

A star can’t be killed with a stone, or
award, or that kind of stuff.
He’ll bear the blow of a fawner
lamenting he’s not big enough.

What matters is music and fervour,
not fame, nor abuse, anyway.
World powers are out of favour
when poets turn them away.

© Copyright Alec Vagapov’s translation

They’ll give a yawning smile, stretched wide,
and, like an octopus, they’ll draw you tight.

A rubber man is an elusive rogue:
a fist gets sucked into the bog.

The rubber editor is scared of script,
the author is bogged down in it.

A rubber office I used to know
where “yes” was stretched to courteous “no”.
I pity you, elastic crank,
as if erased, your past is blank.

You have erased many a passion, many a thought,
but you were happy and excited, were you not?…

Above the waist you are a cowardly man,
an ace of spade, and an unlucky one…

© Copyright Alec Vagapov’s translation

What did I want? Well, a life of contentment.
What did I get? Just a coffin and wreath…
Under the cradle a grave has been latent.
Fate is above me, a ditch is beneath.

Up in the sky my soul, like a hound,
howls, despaired,
the trigger to pull it was keen.
Fate has come over my family background,
and on the earth where fate is my kin.

What have I done, apart from the simple
poems I’ve written in passing to date?
I’ve been a lightening conductor for people.
Now I have broken my back. Such is fate.

© Copyright Alec Vagapov’s translation

These are the words that I send with my letter,
piercing land after land they will moan;
stay there as long as you wish, and you’d better
love all the countries, but, pray, don’t love one.

Give me a whistle — when tired of roving.
Held in sweet bondage, or about to drown,
play with your life as you wish, when you’re roaming,
but don’t ruin ours because it is one.

© Copyright Alec Vagapov’s translation

“Old herdsman, we want our question answered:
Why have the cows gone mad?” “God forbid!
The point is that flies do not like asphalt.”
Those modern cows! The are wise indeed!

They got it, the sly ones! Cattle of genius!
Unlike the poor, unfortunate flies.
“The flies know that asphalt
is carcinogenic.”
Those modern flies! They are really wise!

© Copyright Alec Vagapov’s translation